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The Center For The Arts Presents Tinsley Ellis
Friday, March 13, 2020
7:00 PM Doors | 8:00 PM Show
The Center for the Arts
Ever since he first hit the road 40 years ago, blues-rock guitar virtuoso, soulful vocalist and prolific songwriter Tinsley Ellis has grown his worldwide audience one scorching performance at a time. Armed with blazing guitar skills and scores of instantly memorable original songs, Ellis has traveled enough miles, he says, “to get to the moon and back six times.” He’s released 17 previous solo albums, and has earned his place at the top of the blues-rock world.
His imaginative songs tell stories of common, shared experiences in uncommon ways, all fueled by his high-octane, infectious, hard-rocking guitar playing. Vintage Guitar says, “He delivers blistering blues-rock, soul romps, minor-key blues, and shuffles—and it all sounds great.” The Chicago Sun-Times says, “It’s hard to overstate the raw power of his music.”
Ellis considers his new album, Ice Cream In Hell, the most raw-sounding, guitar-drenched album of his career. Recorded in Nashville and produced by Ellis and his longtime co-producer Kevin McKendree (John Hiatt, Delbert McClinton), Ice Cream In Hell is a cathartic blast of blues-rock power. Though inspired by all three Kings (B.B., Albert and Freddie), as well by Carlos Santana, Hound Dog Taylor and others, Ice Cream In Hell is pure, unadulterated Tinsley Ellis. Throughout the album, Ellis’ deeply emotional, lyrical guitar solos perfectly match his fervent vocals.
Over the course of his career, Ellis has shared stages with Stevie Ray Vaughan, Otis Rush, Willie Dixon, The Allman Brothers, Leon Russell, Son Seals, Koko Taylor, Albert Collins and many others. Whether he’s on stage with his own band or jamming with artists like Buddy Guy, the Tedeschi Trucks Band, Gov’t Mule or Widespread Panic, he always plays with grit, soul and unbridled passion.
“Ellis unleashes a torrent of dazzling musicianship pitched between the exhilarating volatility of rock and roll and the passion of urban blues.” –Los Angeles Times
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