“Solas offers a compellingly original, strikingly contemporary view of traditional Celtic sounds.” - Los Angeles Times
“…for instrumental firepower and creative heft, there’s no beating Solas.” – San Francisco Chronicle
“Irish music giants.… If one band in the world has picked up the torch of traditional Irish music and run with it further than almost any group since the Chieftains, it’s Solas.” – Portland Tribune
The PR materials trumpet them as America’s No. 1 Irish Band,” and that seems like an eminently reasonable claim, given the popularity that Solas has developed over 15 years of performing a repertoire of originals and traditional fare, along with Celt-ified takes on the likes of Tom Waits’s Georgia Lee” and Springsteen’s The Ghost of Tom Joad.” - Stuart Munro, The Boston Globe
Celebrating their fifteen year anniversary, Solas is one of the most popular, influential, and exciting Celtic bands ever to emerge from America. From Woody Guthrie’s Pastures of Plenty, to Springsteen’s Ghost of Tom Joad, to traditional jigs and reels, the Solas brand of Irish music mixes fire tested tradition and contemporary innovation, appealing to music fans of all stripes.
Fifteen years ago, in a manner befitting their name (Gaelic for “light), Solas burst onto the Irish music scene and instantly became a beacon – an incandescent ensemble that found contemporary relevance in timeless traditions without ever stooping to clichs. Anchored by founding members Seamus Egan (flute, tenor banjo, mandolin, whistles, guitars, bodhran) and Winifred Horan (violins, vocals), Solas is rounded out by Mick McAuley (accordians, low whistle, concertina, vocals), Eamon McElholm (guitars, keyboards, vocals), and newest member and lead singer, Niamh Varian-Barry. Through fresh and unexpected arrangements of age-old tunes, compelling and topical originals and covers, and unparalleled musicianship, Solas continues to define the path for the Celtic music world and drive the genre forward.
With ten albums under their belt, Solas’ band leader Seamus Egan was inspired by his family history to create Shamrock City – their most ambitious project to date. Shamrock City tells the story of Butte, MT, a mining town at the turn of the 20th century, as seen through the eyes of an Irish immigrant and Seamus’ great-great uncle, Michael Conway. In 1910 he sailed from Cobh, Co. Cork in Ireland to Philadelphia and then made his way to Butte to work in the copper mines. Six years later, at the young age of 25, he was dead from a blow to the head. With audio recorded in Philadelphia and film footage in Butte, Shamrock City seeks to not only uncover the life and young death of Conway, but to also illuminate life as an immigrant during the Industrial Revolution. With an EP of five songs available at gigs, as well as visuals and stories incorporated into the live show, fans will get a taste of the full album, to be released in early 2013.
It’s no secret that Solas is often drawn to musical social commentary – “Pastures of Plenty” and “The Wind That Shakes The Barley” are core to their repertoire, and they’ve covered political songs by Bruce Springsteen, Tom Waits and Josh Ritter. The themes in and around Shamrock City, particularly the stories and lives of immigrants, are reflected prominently in the headlines of 2012. With the Shamrock City project and current tour, Solas seeks to reach beyond the music by creating opportunities for fans to share their family histories at tour stops and online. In the process, the project aims to create a more meaningful and open dialogue about many of the issues we face in today’s America. For anyone who associates Irish music solely with pubs, green beer and March, be prepared to have your mind firmly changed.
Seamus Egan – flute, tenor banjo, mandolin, tin whistle, low whistle, guitars, bodhran
Winifred Horan – violins, vocals
Mick McAuley - accordians, contertina, low whistle, vocals
Eamon McElholm - guitars, keyboards, vocals
Niamh Varian-Barry – vocals