Standing room in front of stage
“Mickey Hart\’s music has been an integral part of the soundtrack of our lives for a very long timefrom the Grateful Dead and beyond to his numerous projects like the Diga Rhythm Band, Planet Drum, and the Rhythm Devils. The man has not stopped creating music, and he is ready to not only take his act on the road yet again, but explore a universe or two, in the process.”
Mickey Hart is best known for his nearly three decades as an integral part of an extraordinary expedition into the soul and spirit of music, disguised as the rock and roll band the Grateful Dead. As half of the percussion tandem known as the Rhythm Devils, Mickey and Bill Kreutzmann transcended the conventions of rock drumming. Their extended polyrhythmic excursions were highlights of Grateful Dead shows, introducing the band\’s audience to an ever-growing arsenal of percussion instruments from around the world. Exposure to these exotic sounds fueled Mickey\’s desire to learn about the various cultures that produced them.
On October 11, 2011, Smithsonian Folkways Recordings will release the Mickey Hart Collection\’ to preserve and further the Grateful Dead percussionist\’s endeavor to cross borders and expand musical horizons. Smithsonian Folkways will make many of Mickey Hart\’s music projects available digitally (stream and download) for the first time while keeping physical versions in print as on-demand CDs.
The Mickey Hart Collection begins with 25 albums drawn from The World,\’ a series Hart curated that incorporated his solo projects, other artists\’ productions, and re-releases of out-of-print titles. Six of the twenty-five albums form the Endangered Music Project, a collaboration between Mickey Hart and the American Folklife Center at the Library of Congress, which presents recordings from musical traditions at risk. Both The World\’ and The Endangered Music Project\’ were previously distributed by Rykodisc from 1988 to 2002.
Currently, Hart is in the studio recording his new solo project due out in February 2012. I\’ve been involved in sampling the epic events of the universe from the Big Bang to now – everything that makes up our lives, says Hart, describing his upcoming album. It\’s all about the vibrations of life. In this case, they began as light waves, and these light waves are still washing over us. The scientists at Lawrence Berkeley Labs and Meyer Sound made them into sound waves. I want to bring these light waves into the human range and use that as a musical catalyst and play with it. Mickey debuted his new songs to packed houses in the summer of 2011 with the Mickey Hart Band featuring, Tim Hockenberry, Crystal Monee Hall, Vir McCoy, Ian Inx Herman, Gawain Mathews, Greg Ellis, and Sikiru Adepoju.
His tireless study of the world\’s music led Mickey to many great teachers and collaborators, including his partners in Planet Drum Zakir Hussain, Babatunde Olatunji, and Airto Moreira. Planet Drum\’s self-titled album not only hit #1 on the Billboard World Music Chart, remaining there for 26 weeks, it also received the Grammy for Best World Music Album in 1991- the first Grammy ever awarded in this category. Hart last released the Global Drum Project with Zakir Hussain, Sikiru Adepoju, and Giovanni Hidalgo in 2007, which took home the Grammy for Best Contemporary World Music Album.
Mickey\’s experiences have paved the way for unique opportunities beyond the music industry. In 2008, he and Planet Drum partner Zakir Hussain composed a thrilling backbeat to the new Volcano at the Mirage Hotel in Las Vegas, NV. He composed a major drum production performed by an assembly of 100 percussionists for the opening ceremony of the 1996 Centennial Olympic Games. Additionally, Mickey has composed scores, soundtracks and theme for a number of award-winning films and television shows including Apocalypse Now, Gang Related, Hearts of Darkness, The Twilight Zone, the 1987 score to The America\’s Cup: The Walter Cronkite Report, Vietnam: A Television History, and The Next Step.
Mickey has written four books documenting his lifelong fascination with the history and mythology of music. These include Drumming at the Edge of Magic, Planet Drum, and Spirit into Sound: The Magic of Music. His latest book, Song catchers: In Search of the World\’s Music, published by National Geographic Books, traces the 100-year evolution of recording technology, creating vivid portraits of the pioneers who traveled far and wide collecting the world\’s music.
Long a social activist, Mickey appeared in August 1991 before the U.S. Senate Committee on Aging, speaking on the healing value of drumming and rhythm on afflictions associated with aging. He followed that speech with Rhythm For Life, a 2000 person drum circle at the College of Marin, where he was joined by Carlos Santana, Shiela E, Hamza El Din, Airto, and Flora Purim, and in the Fall of 2004, broke the Guinness World Record: Largest Drum Ensemble for his 5000 person drum circle, also in Northern California. Mickey currently serves on the board of Music and the Brain at Institute for Music and Neurologic Function at Beth Abraham Hospital.
In 1999, Mickey was appointed to the Board of Trustees of the American Folklife Center at the Library of Congress where he headed the sub-committee on the digitization and preservation of the Center\’s vast collections. There he helped to establish the Save Our Sounds project, a collaboration between the AFC and the Smithsonian\’s Center for Folklife and Cultural Heritage, where he currently serves as member of the board of directors.
Mickey has been honored repeatedly for his contributions. The Grateful Dead was inducted into the Rock and Roll Hall of Fame in 1994, and in 2007 along with the other members of the Grateful Dead, Mickey received a Grammy Lifetime Achievement award. Other honors include, in 2009, Mickey was inducted into the Percussive Arts Society Hall of Fame. In 2004 he received the NARAS SF Chapter Governors Award, in 2002 Surround Music Awards Best Multi-track Reissue for Grateful Dead American Beauty, and in 2003 a Music Has Power Award, In October of 2000, the Saybrook Graduate School and Research Center conferred an honorary doctorate of humane letters upon Mickey for his work in advancing the preservation of aural archives.