Nano Stern’s path as an artist follows richly crafted song lines laid by his family and his Chilean musical ancestry, and unites those with a sound utterly fresh and relevant. The confluence of recent student and environmental political events in his home country Chile and Nano’s rise as an articulate writer and performer have, much to his chagrin, positioned him as the voice of a newly politicized Chilean generation.
The grandson of Jewish refugees fleeing persecution, Nano’s childhood was painted vivid by not only his own family’s activism and musicianship but by the powerful legacy of the Nueva Canción movement lead by Chilean musical activists during Pinochet’s dictatorship a generation before. Legends like Inti-Illimani and Victor Jara- who suffered exile and even death during these troubling times- continue to inspire Nano’s breadth of sound and emotion. “I am extremely respectful of the tradition,” explains Stern, “It is an enormous gift we received from the people of the past.”
Fernando Daniel Stern Britzmann, aka Nano Stern, showed why he is one of the leading exponents of a new generation of Chilean “canto popular” singers-songwriters.
– Santiago Times, Lollapalooza (2014)
When only fifteen, Nano joined popular Chilean underground band, Mattoral, and thus was initiated into the fresh, new sounds and socio-political pulse of the South American rock/punk scene. The thick rock-energy of Mattoral, his classical and jazz training, and the powerful influence of traditional, Chilean revolutionary music make for something purely Nano. What has emerged is a powerhouse artist, brilliantly layering indigenous, African, and European elements into a sound all his own, and humbly bringing audiences to tears, to their feet, and to reverie with a singular kind of emotion and soulfulness unlike any other South American artist performing today. “I’m generally working to create a language of my own,” he says. The world emphatically agrees.