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“Sarah represents the vitality of the modern folk era… reverence for tradition, and passion for the future.”
— Aengus Finnan, Folk Alliance International Executive Director
With her fourth album, Undercurrent, Sarah Jarosz makes a studied departure from her previous records, shifting the emphasis from her skills as a multi-instrumentalist to her songwriting and vocal performance. Undercurrent accentuates the growth and maturity that Jarosz, now 25, has achieved since graduating from New England Conservatory and moving to New York City. The change in approach garnered Jarosz two Grammy Awards in 2017—Best Folk Album for Undercurrent and Best American Roots Performance for “House Of Mercy.” Undercurrent also picked up the award for 2017 Album of the Year from Folk Alliance International.
On Undercurrent, Jarosz delivers a set of all-original songs, centered around four solo pieces that set the tone of the record. The Wall Street Journal notes “This economical approach brings the listener closer to Ms. Jarosz than on any of her previous recordings, and it suits the lyrical theme of passion that, mostly, is forbidden and unrequited.”
The Austin Chronicle’s Jim Caligiuri declared “For Austinites who’ve followed her since her early teens, the fact that Wimberley native Sarah Jarosz blossomed into one of the most stirring musicians of her generation comes as absolutely no surprise,” while NPR’s Katie Presley made note of Jarosz’s newfound maturity, praising her “uncharacteristically (and deliciously) unyielding” vocal carriage.
“The lyrics are sharp, even cruel; the guitars are low and steady;
and Jarosz’s vocal carriage is uncharacteristically
(and deliciously) unyielding.”
— NPR Music