Antsy McClain is a troubadour with some connections. Tommy Emmanuel plays on several tracks and Lindsey Buckingham sings harmony on Time-Sweetened Lies. Creative, rootsy, and wonderful. If you like it served 100 proof, step right up.
– Robert K. Oermann, Music Row News, Nashville
When I first looked into the Trailer Park Troubadours, I was prepared for them to be funny. What I wasn’t prepared for was these guys are flat-out GREAT. Their humor is obvious. When they sing songs like “My Baby Whistles When She Walks” (it’s not what you think), it’s a scream. But then, a few songs in, you hear something as poignant and rich as “Primer Grey Impala,” you kinda sit up and take notice. These guys can really, REALLY, play and sing.
– Take Country Back, www.takecountryback.com
Singer, songwriter, humorist and small town philosopher Antsy McClain writes what he knows: The good life.
Staging his live shows from a small, fictitious trailer park called Pine View Heights (patterned after his own childhood surroundings and experiences), McClain is free from an over-abundance of material things and appreciates time with family and friends.
Sharing his mantra of “Enjoy The Ride,” McClain has won friendship and collaboration with some of the most talented musicians in the world. With such a wide circle of mentors like Waylon Jennings, Tommy Smothers, guitar legend Tommy Emmanuel and cowboy poet Baxter Black, it’s no wonder McClain marches to the beat of a different drum. And his influences don’t stop there. His live shows touch upon Country, Rockabilly, Jazz, Swing, and a number of Pop culture references.
McClain’s poetry, heart-felt ballads and humorous tales have garnered praise from such artists as Guy Clark, Willie Nelson, Lindsay Buckingham, and David Wilcox, to name a few.
After a Nashville record deal proved unfruitful in 1999, McClain took the reins himself and blazed one of the industries first fiercely independent campaigns, producing some of Americana’s most innovative projects, and cleverly relying on fan involvement (They call themselves Flamingoheads) to finance each album, and help promote live shows and events.
Before music found him, Antsy was an award-winning illustrator and designer for book and magazine publishers. As the DIY movement took hold, McClain was one of the first artists of note to not only record, mix and produce his own albums, but to serve as art director and designer for everything involving his music career; from CD package design to website design to merchandise. The band’s t-shirts are looked at as one-of-a-kind boutique item originals, often signed and numbered when sold.
When accused of being a control freak, McClain flashes a guilty look, but dissuades the dig by saying, “I’ve always just tried to save myself money. I was a self employed guy with five kids. We had an agreement that my wife was to be home while they were young, and it worked out great. But I didn’t have a thousand dollars to pay somebody for a logo. If I was going to have one, I’d have to do it.”
Calling himself “a life enthusiast,” Antsy McClain is eager to see what’s around every corner, and watches the horizon intently for each new change that takes place.
“My life is my art,” explains Antsy, “I am painting my life one day at a time, one brush stroke at a time. As I spend time with my wife and children, or as I go on the road toward new places to make new friends, as I write a new song, as I draw or paint something for people to look at and enjoy… This is my life, and I’m grateful to have the opportunity to share it with music, with words and with pictures.”
McClain looks out the window as a car whirs past, “I am enjoying the ride.”